Most folks who shoot with me know that I’m a big fan of MANUAL Photoshop – getting it right in the scene and in the camera BEFORE you press the shutter release. I am NOT a big fan of “I’ll just fix it in Photoshop”. Even when I might be able to fix it in photoshop, it’s often just too much work. It’s ever so much easier to get it right first.
I recently led a photographic workshop at Indian Point RV Resort as a part of the City of Gautier, Mississippi’s 2nd Annual Plein Air Art Competition. One thing that I offered was to meet participants to shoot the sunrise on Sioux Bayou. When I am leading photographic workshops, I am usually not shooting much myself – focusing instead on helping the participants learn and get their shots.
We had a small group for sunrise, so I went ahead and got out my camera and tripod, and I was glad that I did.
I had told them that there was a snag that herons and egrets often perched on. And just as the sun started to break the horizon, sure enough a snowy egret lit on the side of the snag. Then it moved on up to the top, right where I had envisioned it.
Now, I vastly prefer to shoot critters rather than landscapes, so when the egret perched up there, I didn’t even press the shutter release on my wide angle lens (my mistake). I went to the truck, and got out a long lens and another tripod so that I could get a cool egret silhouette shot.
I got the gear back down where I wanted it, got it set up, focused on the egret. Then I rotated the lens from horizontal to vertical, and the bird flew away! In a fit of pique, I went ahead and pressed the shutter release to add to my growing collection of “perch” pictures. Now, a perch picture is a picture of the branch (rock, log, etc.) that a bird HAD been perched on moments before.
As I looked at the image as I got ready to download my shots, I realized that I could “fix it” in Photoshop! So, I selected the brush tool, and drew a snowy egret right where it was before. But instead of making it just a dark silhouette, I went ahead and made it a somewhat natural-color snowy egret.
That image earned me a pat on the head and “Nice job, Dad!” from my daughter, but something about her tone combined with that pre-teen eye roll makes me think that she just might have some other meaning in mind…
I did grab a few shots of some of the photographers shooting out of one of the two bird blinds, as well as a pair of photographers photographing an American alligator. The alligator came up and posed within 10 feet, as did a sora, and a trio of black-bellied whistling ducks. All in all, we had 17 bird species, two mammals, and a few damselflies, dragonflies, and fiddler crabs within photographable distance during the workshop.
I did manage to get a couple of shots of the birds during the last part of the afternoon.